Thursday, April 11, 2024

ભાષાની મજા, મજાની ભાષા - 1476


રોડ અકસ્માતમાં યુવકના પગમાં રૉડ ઘૂસી ગયો.

માર્ગ અકસ્માતમાં યુવકના પગમાં સળિયો ઘૂસી ગયો.

ભાષાની મજા, મજાની ભાષા - 1475


ગૌરવવંતા ગુજરાતીઓ તરીકે, 'આશ્રમ-રોડ'ની જગ્યાએ 'આશ્રમ-માર્ગ'નો ઉપયોગ કરો!

ભાષાની મજા, મજાની ભાષા - 1474


તમારા ગામ સુધી જવા માટે રોડ રસ્તાની સગવડ છે?

તમારા ગામ સુધી જવા માટે રસ્તાની સગવડ છે?

ભાષાની મજા, મજાની ભાષા - 1473


કેટલાક યુવાનો સોશિયલ મીડિયાના માધ્યમ દ્વારા કમાણી કરે છે.

કેટલાક યુવાનો સોશિયલ મીડિયા દ્વારા કમાણી કરે છે.

ગૂજરાત વિદ્યાપીઠ : પ્રવેશ - ૨૦૨૪-૨૦૨૫ Gujarat Vidyapith: Admission - 2024-2025


https://gujaratvidyapith.org/admission/

ભાષાની મજા, મજાની ભાષા - 1472


લખવો જ હોય તો 'સોશિયલ' શબ્દ લખો. જોકે, 'સોશિયલ' માટે ગુજરાતી ભાષામાં 'સામાજિક' શબ્દ અસામાજિક નથી!

Wednesday, April 10, 2024

ગૂજરાત વિદ્યાપીઠ || પ્રવેશ પ્રક્રિયા - ૨૦૨૪-૨૦૨૫ || અરજીપત્રક અને અનુસરણ


પ્રિય વિદ્યાર્થીમિત્ર,

સને 1920માં મહાત્મા ગાંધીજી દ્વારા સ્થાપિત ગૂજરાત વિદ્યાપીઠમાં પ્રવેશ માટેનું અરજીપત્રક ભરવા બદલ અભિનંદન.

હવે પછીની પ્રવેશ પ્રક્રિયા આ મુજબ છે :


પ્રવેશ-પ્રક્રિયાનું સમયપત્રક :



પ્રવેશ-પરીક્ષાનો અભ્યાસક્રમ :




ગાંધીજીની સંક્ષિપ્ત આત્મકથાની લિંક : સંક્ષિપ્ત આત્મકથા (eshabda.online)

આપની અનુકૂળતાએ ગૂજરાત વિદ્યાપીઠના પરિસરમાં મુલાકાત માટે હૃદયપૂર્વકનું આમંત્રણ છે.

કોઈપણ પૂછપરછ માટે admission2024@gujaratvidyapith.org ઈમેઇલ આઇડી ઉપર સંપર્ક કરવો :


આપના અન્ય મિત્રોને પણ વિવિધ અભ્યાસક્રમમાં પ્રવેશ માટેનું અરજીપત્રક ભરવા અંગે જાણ કરવા વિનંતિ.





શુભેચ્છાઓ સહ

પ્રવેશ સમિતિ
ગૂજરાત વિદ્યાપીઠ

Eleven takeaways from Marshall McLuhan's 'Understanding Media: The Extensions of Man' || Dr. Uma Shankar Pandey


Marshall McLuhan's *_Understanding Media: The Extensions of Man,_* first published in 1964, stands as a seminal work in media theory, offering profound insights into the impact of media on society and individual consciousness.

Here are eleven takeaways from this groundbreaking text:

1. *The Medium is the Message*: Perhaps McLuhan's most famous assertion, this phrase encapsulates the idea that the medium through which content is conveyed is more significant than the content itself. McLuhan argues that the medium affects society not by the content it delivers, but by the characteristics of the medium itself. This means the way we receive information (e.g., through television, radio, or print) fundamentally alters our experiences and perceptions, regardless of the information conveyed.

2. *Media as Extensions of Ourselves*: McLuhan proposes that every medium or technology extends some human faculty. For example, the wheel extends the foot, the book extends the eye, and electronic media extend our central nervous system. These extensions also alter our ratios of senses and change our interactions with the world.

3. *Hot and Cool Media*: McLuhan distinguishes between ‘hot’ and ‘cool’ media based on the level of participation required from the user. Hot media are those that extend one single sense in ‘high definition,’ requiring less active participation from the audience (e.g., film, radio). Cool media are ‘low definition,’ requiring more active involvement or fill-in from the audience (e.g., television, comics).

4. *The Global Village*: McLuhan predicted the internet nearly 30 years before it became a reality. He envisioned a world interconnected through electronic media, creating a ‘global village’ where distances are collapsed, and people across the globe are as connected as neighbors in a small town. This concept underscores the profound impact of media on social structures, transforming the way cultures interact and understand each other.

5. **The Narcissus Narcosis**: Drawing from the myth of Narcissus, McLuhan uses this term to describe a state of numbness or auto-hypnosis brought about by man's extension of himself through technology. He suggests that, like Narcissus, people become numb or oblivious to the effects of their extensions, not realizing how these technologies transform their perceptions and societies.

6. *The Gadget Lover*: McLuhan describes the gadget lover as a person obsessed with the narcotic effects of technology. This obsession reflects a deep and unconscious desire to extend one’s own body and faculties through external implements and devices.

7. *The Tetrad of Media Effects*: McLuhan introduces a method of analyzing media through four dimensions or laws of media: enhancement (what the medium amplifies or intensifies), obsolescence (what it displaces), retrieval (what it retrieves that had been obsolesced earlier), and reversal (what it flips into when pushed to its limits). This tetrad offers a comprehensive way to understand the impacts of media on society.

8. *Technological Determinism*: McLuhan’s work suggests a technological determinism view, where technology is the primary factor shaping society and human behavior. He argues that technological changes in communication media invariably lead to changes in social structures and individual psyches.

9. *The Importance of Auditory Space*: Unlike the visual space emphasized by print media, electronic media cultivate an ‘auditory space’ that is more encompassing and immersive. This space is non-linear, surrounding the individual from all directions, and fosters a sense of inclusiveness and tribal community.

10. *The Changing Patterns of Perception*: McLuhan argues that different media shape our cognitive and perceptual patterns. For example, print media fostered linear thinking and individualism, while electronic media promote non-linear thinking and collective identity. These shifts have profound implications for education, culture, and politics.

11. *The End of the Gutenberg Era*: McLuhan posits that the era of print media, characterized by the dominance of the printed word since the invention of the Gutenberg press, is coming to an end. This transition to electronic media signifies a shift from individualism and fragmentation toward a more collective and interconnected society.

Courtesy:
Dr. Uma Shankar Pandey